The Boys Club of New York
287 East 10th Street
New York, NY 10009

Mar 24, 2005
Edgardo Vega Yunqué
May 19, 2005
Thomas Glave
Jun 16, 2005
Ernesto Quiñonez
Sep 29, 2005
Billy Collins
Oct 27, 2005
Victor LaValle
Dec 15, 2005
Edward P. Jones
Jan 19, 2006
Franz Wright
Feb 23, 2006
Ishmael Reed
Mar 8, 2006
Cornel West
Mar 30, 2006
C.K. Williams
Apr 20, 2006
Chris Abani
May 18, 2006
Robert Pinksy
Jun 15, 2006
Honorée Jeffers
Oct 26 , 2006
Caryl Phillips
Nov 9, 2006
Cornelius Eady
Jan 18 , 2007
Major Jackson
Feb 15 , 2007
Angie Cruz
Mar 15 , 2007
Colson Whitehead
Apr 12, 2007
Piri Thomas
May 10, 2007
Chang-Rae Lee
Jun 06 , 2007
Junot Diaz
Sep 27 , 2007
Willie Perdomo
Nov 08 , 2007
Tim Seibles
Jan 31, 2008
Percival Everett
Mar 11 , 2008
Patricia Smith
May 22 , 2008
Terrance Hayes
Nov 6, 2008
Yusef Komunyakaa

C.K. Williams

 

Charles Kenneth Williams was born in Newark , New Jersey , the son of a salesman and a homemaker, during the middle of the Depression. His upbringing was the subject of his recent memoir Misgivings: My Mother, My Father, Myself (2000)—a book that defies the conventions of the contemporary memoir. Williams explained, “I wanted to write an autobiographical meditation stripped of all but the absolute essentials, with no extraneous narrative details or information.”

Williams started writing poetry when he was 19, shortly after taking his last required English class at the University of Pennsylvania . “Poetry didn't find me, in the cradle or anywhere near it: I found it,” he recalled. “I realized at some point—very late, it's always seemed—that I needed it, that it served a function for me—or someday would—however unclear that function may have been at first.” Williams found his voice as a poet in the mid-sixties when writing to a magazine editor about the violence directed against civil rights activists. The process of writing this letter opened up a new way of thinking for Williams—a paradigm for writing all of his poetry. The result was “A Day for Anne Frank,” a meditation that linked the civil rights movement with the Holocaust and became the opening poem of his first collection, Lies (1969). “After the Anne Frank poem . . . I seemed to be able to write poems I wanted to write, in a way that satisfied me, that made the struggle with the matter and form and surface of the poems bearable, and, more to the point, purposeful,” wrote Williams.

Since then, Williams has emerged as one of America 's major poets, winning a National Book Critics Circle Award for Flesh and Blood (1987) and the Pulitzer Prize for Repair (1999). He is known for his long, sinuous lines and what one critic called his “novelistically urban” settings. He remains a “political poet,” in that he refuses to draw a simple line between public and private life: “His fearless inventions, with their rangeness of language and big long lines, quest after the entirety of life,” writes Robert Pinsky. Williams and his wife live half of the year in Princeton (where he teaches) and the other half in Paris , France .

C.K. Williams's many honors include an award in literature from the American Academy of Arts and Letters and the PEN/Voelcker Career Achievement Award in poetry. His collection Flesh and Blood won the National Book Critics Circle Award, and was nominated for the Pulitzer Prize, as was The Vigil. In 1999 he won the Pulitzer Prize for Repair.

Awards and Nominations:

The Singing, (2004), winner National Book Award;

Repair (1999), winner Pulitzer Prize and Los Angeles Times Book Award;

The Vigil (1997), nominated for the Pulitzer Prize, National Book Critics Circle Award and Forward Prize; 

Selected Poems (1994); A Dream of Mind (1992), nominated for National Book Critics Circles Award;

Flesh and Blood (1987), National Book Critics Circle Award, nominated for Pulitzer Prize;

Tar (1983), nominated for National Book Critics Circle Award;